Critique Photograph Challenge
Ethically Evaluative - Sally Mann
Aesthetically Evaluative - Reid Klaben
Theoretical - Daniel Manning
Interpretative - Nikki Antonucci
Descriptive - Reid Klaben
Explanatory - Reid Klaben
Descriptive : The photograph I took of the contact page of our development is descriptive because it is listing the contacts and names of service or people for the neighborhood.
Explanatory: The photo I captured of the instructions for building the shelf in my garage exemplifies explanatory photography as it systematically guides through each step of the shelf construction process.
Interpretative : The photograph of the woman in the middle of the trees taken by Nikki Antonucci is interpretive as it incorporates fiction and metaphor to convey a nuanced message.
Aesthetically Evaluative : The photograph of the waterfall is an aesthetically evaluative example, evoking pure bliss and calmness in the viewer. The vibrant colors in the photo enhance the waterfall, making it visually captivating.
Ethically Evaluative : The photograph capturing a young girl smoking a cigarette, taken by Sally Mann, is ethically evaluative as it underscores the notion that not every child experiences a conventional or typical childhood.
Theoretical : The photograph of the woman sitting on the fence, holding the mirror, taken by Daniel Manning, exemplifies theoretical photography as it revolves around the concept of photography itself. It serves as a form of visual art criticism.
Multimodal Presentation
Synopsis Of Presentation
In my presentation, I explore the profound influence of Richard Wentworth, a visionary artist whose impact resonates across disciplines. Born in 1947, Wentworth's unique upbringing in Samoa and education at Harrow School laid the groundwork for an artistic journey that defied conventional norms. His pivotal role in the New British Sculpture movement during the 1970s and 1980s marked a transformative period in art history. Wentworth's influence extends beyond sculpture; it encompasses installations and conceptual photography, notably exemplified in the "Making Do and Getting By" series. This collection celebrates resourcefulness, prompting a reconsideration of the ordinary and blurring distinctions between art and everyday life. His lens transforms mundane scenes into conceptual wonders. As an influential educator at Goldsmiths, Wentworth's mentorship shaped the next generation of artists, including luminaries like Damien Hirst and Sarah Lucas. The presentation illuminates Wentworth's multidisciplinary exploration, conceptual depth, and redefinition of artistic boundaries, emphasizing his pivotal role in shaping the trajectory of contemporary art. Through an intimate exploration of his life and work, we unravel the layers of Wentworth's influence, underscoring the lasting impact of his visionary approach on the ever-evolving canvas of the art world.
My New Perception on Photography
Richard Wentworth's work has reshaped my perspective, convincing me that the ordinary can be extraordinary in the realm of art. His "Making Do and Getting By" series celebrates the beauty of everyday life, prompting me to see the artistic potential in the mundane. This shift in perception extends to my approach to photography. Inspired by Wentworth, I now view photography as a powerful tool for storytelling within the intricacies of daily life. No longer confined to staged scenes, his work has opened my eyes to the richness of fleeting moments. Wentworth's influence goes beyond aesthetics; it's a transformative mindset that encourages me to find artistic merit in the fabric of ordinary existence. His approach has instilled in me the belief that every moment holds the potential to be a work of art, altering how I perceive and engage with the world through the lens of photography.
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